Year: 2013
Notes: bergamot, Damascus rose, Egyptian jasmine, patchouli, heliotropin, vanilla, sandalwood, musk
While Jasmin Kâma could be considered a different take on jasmine, it still fails to impress.
Although the indolic aspect of the jasmine is apparent in the citrus-infused opening, it quickly loses its stature as time wears on. Interestingly enough, Jasmin Kâma's base is almost identical to the one in Rose Ishtar, and emits the same synthetic smokiness during the final stages. With dark woody undertones (probably due to the undeclared addition of some cedar), the final moments on the skin are grittier and overtly artificial.
Sadly, one can't overlook how contrived the whole affair is, with a floral designer vibe and mediocre quality. And just like the other fragrances from this French niche house, the opening is the best aspect, before it descends into a murky aroma chemical mire.
Lasting under four hours, its tenacity is also surprisingly meagre.
Although the indolic aspect of the jasmine is apparent in the citrus-infused opening, it quickly loses its stature as time wears on. Interestingly enough, Jasmin Kâma's base is almost identical to the one in Rose Ishtar, and emits the same synthetic smokiness during the final stages. With dark woody undertones (probably due to the undeclared addition of some cedar), the final moments on the skin are grittier and overtly artificial.
Sadly, one can't overlook how contrived the whole affair is, with a floral designer vibe and mediocre quality. And just like the other fragrances from this French niche house, the opening is the best aspect, before it descends into a murky aroma chemical mire.
Lasting under four hours, its tenacity is also surprisingly meagre.
